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Japanese Jazz Appreciation Event

This event is scheduled to occur on April 20th, 2018 in room 704 from 4:30 to 6:00pm. The reason why I wanted to organize this event was because I am a jazz musician myself. Even before I decided to latch onto Japan for my Capstone project, I knew a lot about Japanese music. I am taking this opportunity to share both my love for music and get a better understanding of Jazz in the context of Japan's American influences.

 

The relationship Japanese jazz has to my project is that it is a specific aspect of Japan's culture that borrow and builds upon an American art form. I originally thought that Japanese jazz was a unique style of jazz, but upon my own listening and research, I found that there are two types of Japanese jazz: the jazz aimed at westerners and the jazz aimed at the Japanese. For the most part, the goal of jazz made for Japanese audiences is more to emulate American styles. Dixieland, swing, bossa, bebop, and fusion are all styles that were marketed to American audiences at one point. 

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At this event, I will go through a playlist of videos I have curated that I think best sum up Japanese jazz in less than an hour. The plan is to listen and watch first, and then go into a brief discussion or lecture of what we listened to. I think that this is the most effective way to teach people about not just Jazz, but the connection it has to Japanese culture in a global context. A research paper cannot make people listen or appreciate fully the elements of music. This event will also be, for lack of a better word, fun.

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My main source for putting together this playlist was the former music teacher of Watkinson, Luke Nelson. He gave me a list of names to check out which now comprise of the list. However there is also a great deal of modern Japanese jazz that I have chosen from my own music playlists and listening. The total running time is 1:03:20.

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The Playlist

Takashi Tsunoda & Fumio Nanri - The World Is Waiting For the Sunrise (7:11)

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Talking point: This is Dixieland Jazz, which is a very “American” style that originates from New Orleans

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The Trio Project, Hiromi - Desire (9:13)

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Talking point: Hiromi studied at Berklee College of Music in Boston. Her music is a culmination of Jazz, funk, and classical styles.

 

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Sadao Watanabe & Toquinho - Manha De Carnival (5:27)

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Talking point: This is Bossa Nova, which is a popular form of jazz from Latin America.

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Sadao Watanabe - Confirmation (4:54)

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Talking point: Confirmation is a bebop standard by Charlie Parker, who was arguably the figurehead of bebop. Sadao's backing band is all American. A debate in Japanese jazz is whether it is a celebration and appreciation or an appropriation of American culture.

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Toshiko Akiyoshi/Lew Tabackin Big Bang - Children in the Temple Ground (5:47)

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Talking point: This is a Japanese composer conducting an American band

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Soil & Pimp Sessions - Live at Tokyo Jazz Festival 2007 (13:48)

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Talking point: This is a lot more “in your face”. What does this say about modern japanese jazz (eg, in production value, popularity, etc)

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Ryo Fukui - Early Summer (10:44)

 

Talking point: Ryo was a self taught pianist. The music he was exposed to influence how he learned to play music himself.

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Ryo Kawasaki - Raisins (6:16)

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Talking point: This Ryo is a guitarist in the style of jazz fusion, which is different from other Japanese Jazz styles because it developed around the same time in America and in Japan.

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